Hue and Cry / Remote: Major to Minor / four-disc deluxe set


Although Scottish duo Hue and Cry‘s biggest hit single was Labour of Love from their 1987 debut Seduced and Abandoned (the song reach number six on the UK charts), their second album Remote that was the bigger selling long-player.

Released at the end of 1988, it was recorded in Sigma Sound studios in Manhattan, New York and features the fondly remembered UK top 30 hits Looking For Linda and Violently (Your Words Hit Me). It’s clear from the introduction to this new deluxe book set (dubbed Remote: Major to Minor) that songwriting brothers Pat and Greg Kane also view the record as something approaching their best work “we are as proud of the songs on this record as we ever were.”

Remote: Major to Minor is a limited edition run of 1000 signed copies and takes the form of a 48-page deluxe book which contains four discs (3CD+DVD). Unusually, disc two is the album proper (remastered) with the first CD being completely new re-recording of the entire album, created especially for this reissue. As well as a new interpretation of the music Pat and Greg describe this disc as an “update of the lyrical characters” in the original Remote CD using their current line-up of musicians.

Signed and limited to 1000 copies

The songs are very different on the “Major to Minor” disc. There is a strong jazz influence throughout. Ordinary Angel is a successful reworking, percussive and frantic with some Isley Brothers-style lead guitar. The chorus is at least intact which is more than can be said for Looking For Linda which becomes Slow Train Home (Never Stop Looking). ‘Linda’ doesn’t get a look in, since this is a good example of a new ‘lyrical character’ with the words changed to reflect another encounter Pat Kane had on a train with an ex-athlete who had “tumbled into a bad place.”

It’s hard to ruin a great song, and thankfully this doesn’t happen with the 2014 version of Violently, renamed Violently (Open To The Core). It dispenses with the sweet sugar-coated ’80s production (nothing wrong with that, mind!) and is quite raw with sorrowful piano, hammond organ, upright bass, vibrant acoustic drums and trumpet solo. Truly superb.

The Only Thing (Drone Song) offers a break from the jazz interpretations for a stunning Kraftwerk-style slice of vocoder-driven pop – a fantastic track. On the DVD (more on this later) Greg describes the original version of the song Remote as “over arranged”. Whether you agree or not, the newly recorded version is far from this and has a simple and effective torch song piano-and-voice interpretation.

Discs 1 & 2 mounted on inside front cover

In truth, artists ‘revisiting’ old material can be reason for concern. More often than not these are simply vanity projects that may not offer much of interest to the actual listener, who after all, didn’t necessarily see anything wrong with the originals in the first place. Not everyone has shared the same musical journey as Hue and Cry, so pop fans who love the pop album Remote album aren’t necessarily going to embrace the jazz-leanings of Remote: Major to Minor. Thankfully, Greg and Pat have pulled it off. This really is an intelligent, thoughtful, and most importantly, listenable reworking. I’ll put my neck on the line and say I actually prefer the new Violently – it’s that good.

The third CD in this set is a collection of B-sides, remixes and rarities. It’s far from complete (don’t go looking for the cover of Kate Bush’s The Man With The Child In His Eyes or Calamity John, for instance) but it does contain remixes of all the singles. Even so, why is there 25 minutes of free space on this disc when significant alternate remixes of both Violently and Looking For Linda are missing?

The DVD is an enjoyable look back at the album with the two brothers on camera reminiscing about the recording of  Remote – in realtime – as they play an original vinyl on a Linn Sondek turntable (“this is the most technical thing I’ve done for a long time” jokes Pat as he places the needle on the record).


There are plenty of stories about drum machines, bass players, and do-you-remember-when-we-recorded-that-track bonhomie. The story of the Latin American horn section on Sweet Invisibility being recorded in New York (“still the most excitement I’ve ever had in a studio in my entire life” says Pat) comes to mind, with the men incredulous that they allowed the record company to remix the track for the single (“we should never have let them do it!” says Greg).

Devotees will be lapping up the detail and the minutiae, but occasionally you wish an interviewer had been around to ask some more pointed questions. That said, it’s consistent with the homespun keep-it-in-the-family nature of this release (put out on their own Blairhill Records label) that Pat and Greg keep outsiders at arms length, and they certainly appear relaxed and at ease in each other’s company.  They will also happily rib each other as siblings like to do; “how did you get away with this” Greg asks Pat jokingly as he reads the lyrics of The Only Thing (More Powerful Than The Boss). 

Four videos from the period are also included.  Typical eighties fare – naturally – with slo-mo shots of coins spinning and, vases exploding and the boys pretending to be New York taxi drivers. A reminder of the money that used to be spend on promos!


Finally, the ten-inch hardcover book is a fine piece of work. Quality binding, some excellent archive photography and best of all the writing of Scottish journalist Billy Sloan who tells the story of the band from the very beginning, with their full cooperation and participation. They don’t shy away from the dark times either, with Greg recalling how “Pat had caused enormous problems” in the studio during the sessions for the album with a “bull in a china shop” approach. Pat acknowledges as much remembering that he “wasn’t remotely a humble person at all” during that time.

Remote: Major to Minor is a resounding success that deserves to find an audience beyond the hardcore fans. The ten-inch book is a great size and strikes a good balance between the text, lyrics and photographs. The original Remote album is still a great piece of work built on the unshakeable foundations of Violently and Looking For Linda but if you’ve outgrown the drum machines and synths of that era, then the ‘Major to Minor’ re-recording really does offer something fresh that goes beyond a one-listen curiosity. We’d like to have seen a more comprehensive offering of remixes and B-sides on disc three, but its certainly a reasonable selection. The on-camera commentary from Pat and Greg on the DVD (along with the videos) completes the content in fine fashion.

Remote: Major to Minor is out now and can be purchased exclusively from Hue and Cry’s online store.

Remixes and rarities CD and DVD
Full track listing (click to enlarge)

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So three years later i found a signed copy for 20, it is a lovely book and the extras well chosen but 30 minutes spare, still should have found room for more versions. Wonderful album still.

[…] Ordinary Angel was Hue and Cry‘s first single from their second long-player Remote (1989). It flopped, which must have been depressing for them at the time, although second 45 Looking For Linda came to the rescue. This is a gatefold seven-inch package. Remote was reissued in 2014. […]

[…] most, including almost all the singles from the first two albums Seduced and Abandoned and Remote (reissued in 2014). I’m guessing that, like some of their contemporaries, there may have been a period in the […]

[…] Hue and Cry‘s excellent Remote celebration is now available via Amazon, albeit you have to pay a premium. If you want to know more about this set read our review. […]


They are now taking the pss, 53.99 new on Amazon!!t

Michael Pendlebury

Just received my copy of the box set. I’m really happy with the collection – you can tell a lot of love and attention has gone into it! Great job!


Probably because Bitter Suite will also come out separately. I assume why most if the b sides are missing are availability of tapes but the price for me is the killer. Mark it against The Hurting ( which i think was too expensive) and it doesnt compare. I get the low pressing numbers and profit impact, but this is my favourite album of all time – and i am not biting. Their pricing has always been not in keeping with their politics :)

gary C

….someone seems to be getting themselves into a lather imagining Pat & Greg on a yacht quaffing canapes and guzzling champagne (might be the other way round) on the huge profits they will make from an unsuspecting public who throw £40 at a box set….

Steven Roberts

If they’d included a complete Bitter Suite (ie the entire Renfrew Ferry show, instead of what I presume were highlights the first time around) rather than the reworked acoustic disc, I may just have bitten on this.

As it stands – missing B-sides, remixes and so forth……..nah :(


All in all I am extremely happy with this package. The new versions of the songs are absolutely excellent both musically and lyrically, the hardcover book is a real page turner and the DVD is quite entertaining. My only complaints regard the selection of B-sides and remixes as well as the mastering of the Major to Minor disc, which unfortunately has digital clipping on Pat’s voice on several tracks. That being said this is a spectacular set, not one quid too expensive.

Paul H

re Steve McQueen legacy edition, yes that’s true enough (and there are countless forums with PS fans like me desperate for some action on just getting remastered PS albums from CBS, let alone bsides etc, but thats a different story). The point I was making was that for CBS the incremental value of the re-recorded versions was seemingly negligible. I look at it like this. I have Remote already (twice), and most of the extended versions I have somehow and somewhere, the DVD I probably would never have watched. The prize for me was the CD of the songs brought up to date, and I am genuinely interested (particularly after reading your review) £40 is just not the right price for me to buy that one CD It may well be the right price for 4,000 others. I really do wish H&C the best, and I’m really interested in how it goes (as a committed collector and I promise not as a soothsayer).


Anyone like to comment on the sound of the remastered Remote?
I haven’t bought it due to the price – I’m still holding out for maybe a double disc of Remote\b-sides.


No comment on the rather expensive price, Paul? Its a lot for what is contained. I would have bought it had the b sides disc been more comprehensive as there are at least 6 tracks or mixes missing that are vinyl only. Missed opportunity to my mind.

Paul H

I take the point about Goodbye Yellow Brick Road, but again I feel the Aztec Camera, Beat, Tears for Fears and EBTG reissues which arguably you would expect to have bigger profiles in the market, sold for much cheaper. Depends on how attractive the re-recordings are. This is an interesting market for artists to pursue. Prefab Sprout did a legacy edition of Steve McQueen about ten years ago with an additional disc of the whole album rerecorded acoustically RRP £12. Time will tell if Remote Major to Minor is well priced, if they sell all 4,000 at £40 each I am sure they will be happy enough. Its pure supply and demand. The test is do they have 4,000 hardcore fans? I wish them luck either way….


Bought this. Loved the package (the personal dedication was a nice touch) but listened to the reworkings and they largely left me cold.

However based on your write up I shall give it another chance when I get home.

Not attempted the DVD yet but sounds like it should be entertaining.

Paul H

“Remote: Major to Minor is a resounding success that deserves to find an audience beyond the hardcore fans.” – as said before this release is priced way too expensive for anything more than hardcore fans. Shame as it looks like a nicely and thoughtfully put togther set. Despite having all their albums, I’m not a hardcore H&C fan, I couldnt be enticed to buy Remote again on this cycle although it was a nice enough album to buy one copy of 25 years ago – actually, now I think about it I bought it twice back then (with Bittersuite)