Sex Pistols / Never Mind The Bollocks super deluxe review
In September 1977 the Sex Pistols released their only album with Johnny Rotten (John Lydon) on vocals. It was preceded by three singles and a career’s worth of notoriety. The Pistols had become front page news overnight when they appeared on the Today programme in December 1976, and had sworn at host Bill Grundy after he drunkenly goaded them on air.
http://www.youtube.com/watch?v=p25SdQEnhHI
By summer 1977 the band couldn’t play live as most councils across the country banned them, and they were left with no choice but to play in Sweden, Holland and Norway. Sid Vicious had replaced Glen Matlock earlier in the year, but Sid was never a bass player like Glen.As the rest of the band admitted years later, losing Glen (or getting rid of Glen) was a mistake, but at the time the tensions between him and John had become too much and Glen happily left to start another band (the Rich Kids). Glen had been a songwriter as well as bass player, having a large hand in writing the three singles Anarchy in the UK, Pretty Vacant and God Save The Queen.
Without him, the band struggled to write any new material, and came up with only Bodies and Holidays in the Sun. The band also performed a Sid song in late 1977, Belsen Was A Gas. It was thought that this was never properly recorded, but a demo was recorded in late 1977 and this has now been found and put onto the second CD of this new super deluxe edition box set. You can also hear it here.
The album was recorded by Steve Jones on guitar and bass, deputising for Sid who was in hospital with hepatitis and whose limited bass playing skills weren’t up the job, and Paul and John at Wessex Studios. The recording was produced by Chris Thomas and engineered by Bill Price. They worked by recording the drums and a basic guitar line, then added bass and more guitars, then John’s vocals. The album caused more controversy when a policeman saw it displayed in a record shop window, it’s title Never Mind The Bollocks seeming to cause offence. Virgin Records were taken to court, and promptly won the case as it was shown that the word ‘bollocks’ in context merely meant ‘nonsense’.
Thirty five years later and Universal Music now own the rights to this album. This week they released a four disc (3CDs + DVD) super deluxe edition and a much cheaper two-CD ‘deluxe edition. This version has been remastered from the original tapes for the first time. Apparently until the move from Virgin to Universal, these tapes were missing. Previous re-releases such as the Sex Box (2002), did not use the original source tapes.
I was very much looking forward to hearing this, having been a life-long Sex Pistols fan. I was also eager to see how this compared to the excellent (and much cheaper) Sex Box that Virgin released in 2002. This highly priced Box Set would have to do quite a lot to impress me as a fan and make me part with around £100.
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Discs 1 & 2 / Album + Studio rarities, B-sides and demos
Just a look at the track listing did not immediately impress me. Inexplicably, the B-side to Anarchy in the UK – I Wanna Be Me – is not included, despite the other B-sides being present and correct. No Fun, the B-side of Pretty Vacant is the version with the ending cropped off (as it appears on the single), not the full length version. Were Universal even aware that there is in fact a full length version? (it appears on the Sex Box). It’s a small oversight, but I do feel that if you’re going to do these super deluxe sets, you ought to get them right.
Despite remastering from the original tapes, it was pretty hard to determine if the remaster sounds any better, or worse, than previous remasters. Close comparison with the Sex Box audio didn’t help – I struggled to be able to tell the difference.
The B-sides and demos on the second CD sound great. The alternate versions and demos show two things: Firstly, that Glen’s bass playing is far superior and makes the songs bounce – Steve’s bass on the album plods and performs a ‘get the job done’ role. The second point is that the very existence of previously unheard alternate versions shows that the band, along with Chris Thomas, strove to produce the best version of each song, trying different vocal takes and adding guitars to flesh the sound out.
Disc 3 – Live 1977
The live gigs on the third CD consists of one that has already been released (Trondheim was an extra cd with a limited edition of Kiss This in 1999) plus a gig in Sweden in 1977. They sound as you might expect. Rough and ready, but Sid’s playing was good enough before they went to America and imploded.
Disc 4 – 1977 Footage
The Never Mind The Bollocks Classic Albums documentary, although available separately, would have been a great inclusion with this set. As it is, with the band in hiatus and John in full-on PIL mode – and seemingly not wishing to discuss the Pistols – there is no new documentary at all. We do get some period interviews and live footage from the Stockholm (Happy House) and Penzance live (Winter Gardens) live gigs.
However, I do know that the Huddersfield Xmas Day 1977 gig exists and could have surely been put on there (parts of it were in the Filth and the Fury Documentary), along with Sex Pistols Number 1 Film (a sort of promo film that Julien Temple put together in 1977 that was shown before they played at the Screen on the Green in May 1977 (see below).
As a package, it all looks great- the Sex Pistols’ product always looked good, thanks to Jamie Reid’s graphics and art design. The set is dominated by the ‘Bollocks Diaries’ the large book, full of excellent photos, newspaper cuttings and which traces the narrative of 1977. This book houses the four discs. The only other content is a large poster, and a wallet containing the replica seven-inch single; a reproduction lyric sheet and some stickers.
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The set has similarities with The Who’s Quadrophenia Director’s Cut box from last year, with the wallet, seven-inch and lyric sheets, but that set had the advantage of personal involvement from Pete Townshend, while you get the feeling that with this Sex Pistols box, the band members themselves only consulted at arm’s length (if that).
I can’t say the high price here is totally justified, though I suspect that along with the limited edition single picture discs, and other special editions, Universal know that hard-core fans WILL buy them no matter what.
The 2CD ‘deluxe’ version contains the remastered album, B-sides, and the live stuff, and is currently on sale at Amazon for £13. The demos are worth hearing if you’re really interested in hearing early versions of the songs or alternate versions and the book is very special, but in terms of value for money the double CD is hard to beat.
Full track listing for this box can be found here and extensive photo gallery is here.
• UK Pre-order Super Deluxe Edition
• USA Pre-order Super Deluxe Edition
• GERMANY Pre-order Super Deluxe Edition [best price].
I’m still SUPER-CONFUSED as to why ‘I Wanna Be Me’ is not on here. Does anyone know why? Surely not just an oversight?
This box focuses in 1977 recordings only – “I Wanna Be Me” was released in ’76. As was “Anarchy”, of course, but that made the cut here as it wound up on the actual album.
Of course, “No Fun” was recorded in ’76, as well…
So yeah, they probably should have just tacked “I Wanne Be Me” on for the sake of completion.
The box only includes tracks either recorded or officially released in 1977. “I Wanna Be Me” was recorded and released in 1976. “No Fun” was recorded in 1976 but was released in 1977 as a B-side.
This box is a con the sexbox is much better, this also does NOT contain the SPUNK demos(they have to be bough t separately on the dble set from 96….this set is aimed at the youth of today AND the old hardcore who wants to blow £100…it should be priced really around the £50 mark.
I haven’t picked this up yet, with so many of these boxes coming out from bands/people I love it’s hard to get them all b/c they are so damn expensive! It looks like a good package, but seems to be incomplete as far as including ALL the demos, etc. Too bad…I already own the Sex Pistols box which has some of this content and the remastered 2007 vinyl LP for great quaility audio for the LP itself. I’m not sure If I want to dish out $150+ for the rest of the content…I love this LP, it’s one of the best rock LP’s of all time, but at this point in life I have bought it about 4-5 times in different formats. Do I need to pay all that money for yet another version? I’m not so sure…
I know its only an extra bit of nonsense but isn’t that A&M logo the wrong one on the replica QSTQ 7″?
It’s now 30th Sept and HMV still have it listed with the demos on disc 2. Dave Decadent – The Bose Wave CD has sounded good with pretty much everything else played through it, I just think the mastering of this doesn’t actually sound any better.
The demos are what Spunk was I think i read somewhere…
Phil it’s wrong of hmv then, because the 2 disc is the album plus b sides and live stuff.
It was the same with the Nirvana Nevermind release. The 2 disc has the crappy boombox demos and live stuff, the actual good stuff (the original Butch Vig mix of the album) is ONLY available on the super deluxe expensive set (though even that was only £75). I want the vinyl version of that but again the Vig mix is not present.
pk, I’d say to be honest Sex Box. It depends of course on whether you really want the live gigs or if you want to have the demos and outtakes.
I won’t be buying the box for this price, I’ll wait till i find it on ebay for half that price.
I’d have expected the album at least to sound much better/ louder/ or something, but it sounds no different to the Sex Box ‘remaster’.
Dogface, the demos on the second disc are all new. The first ones have never been released with the studio chatter, the second ones are exclusive Chris Thomas outtakes from the Bollocks Sessions.
You’re right though, the ones on Sex Box were more exhaustive.
Apart from the ‘Belsen’ demo are any of the demos and sessions on the box previously unreleased? The Sexbox seemed pretty exhaustive \ exhausting with the different demos and mixes.
If disc two is the live stuff and not the demos, we (the consumers) have been ripped off again by the record companies….I want the demos but I don’t want to pay 94 quid to get them
I got the 2CD deluxe edition today (arrived in the post) and I was disappointed that disc 2 has live tracks on, not the demos including Belsen Was A Gas. I bought the HMV special postcard version which advertised the b-sides and demos (21 tracks in all) as CD2. Listenened to disc 1 on the Bose Wave CD player and I don’t particularly rate it, I was expecting so much more. Think it’ll be going back ..
I think that maybe the Bose Wave CD player is the problem
So, musically, in you opinion which is the best collection to buy, Sex Box or this one?
Frank, no that would be because windows media player only goes by the info that it has, and tries to match it to your cd. So this version of NMTB hasn’t been added to their database yet.
I got my copy last friday. When I heard the first the CD (remastered NMTB) I couldn´t hear any difference from the other CD versions I own ( = all!). When I put the CD in my PC Microsofts Media Player grabs information that says that it is the first disc of Virgins NMTB / SPUNK dble CD version. Can anyone confirm? If this is true someone at UNIVERSAL should get fired and the disc must be replaced!
Does the second disc include the so-called ‘Spunk’ recordings?
I received the boxset this week and I must say I am impressed by the 100 page (diary) book. Nice details and stories with a lot of unseen pictures. In my opinion the boxset it’s worth the price.
I am old enough to have seen the Bill Grundy interview that catapulted the Sex Pistols on to the national stage and end Grundy’s career. “Today” ran at 6pm and I recall Grundy’s biggest error was not to shut down the excessive potty mouth. I dont remember that he was drunk but the situation was out of control. You can decide yourself from Paul’s video link
“God save the Queen” helped a great deal as it was banned and it appeared from under the counter in the blue sleeve if you asked for it. (in Epsom, anyway)
And so the shows were chaotic, questionable musically, aggressive in the audience, and full of phlegm. Off they went to conquer America, came back and they were done. The one modest album has been retreaded so many times and no amount of repackaging will improve a band of very limited talents