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INXS get ‘All Juiced Up’ for series of limited coloured vinyl 12-inch records

First batch coming in this month

By Paul Sinclair

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72

Limited coloured vinyl 12″ series with rare and classic remixes

INXS fans might recall that the bonus CD of remixes offered with the limited edition version of their 1994 Greatest Hits was dubbed ‘All Juiced Up’. Well, 29 years later All Juiced Up re-emerges, this time as a series of NINE limited edition 12-inch records, all pressed on coloured vinyl.

INXS All Juiced Up Part 2 spans the band’s career and features remixes of songs such as ‘Need You Tonight’, ‘Listen Like Thieves’, ‘New Sensation’, ‘What Your Need’, ‘Suicide Blonde’, ‘Original Sin’, ‘Not Enough Time’, ‘Taste It’ and many more. Each record features four remixes and all audio has been remastered at Abbey Road. We are promised that these 12-inches will only be produced for a one-time limited edition coloured vinyl run.

Record 1 (of 9) is pressed on blue vinyl

There will be nine records in total and the schedule is as follows: The first volume of three 12”s will be released THIS MONTH, followed by a further three in February 2024, with the final set appearing in May next year.

INXS, with their late manager Chris Murphy, were real 12-inch mix enthusiasts, even releasing Dekadance, a collection of their mixes, way back in 1983. As INXS guitarist & founding member Tim Farriss says “INXS always embraced synthesizers, sequencers and samplers in our music. Back In the early 80s, we often felt like pioneers of combining pub rock with funk, dance and disco elements, so remixes or 12-inch versions, were always something that we were and still are very passionate about. We were very fortunate to work with some of the most outstanding remix engineers and DJs of their time. These mixes spoke of the ‘club culture’ and helped highlight the ‘dance’ influences in our music.”

This first batch of All Juiced Up Part 2 will be released on 20 October 2023, via UMe/Petrol Records. They are not available via normal retail, only via Universal D2C (Direct-to-Consumer) channels.

Record 2 (of 9) is pressed on pink vinyl

Tracklisting

All Juiced Up Part 2 INXS /

    • INXS – ALL JUICED UP PART 2 – Record 1
      SIDE ONE
      1. I’m Only Looking (Morales Bad Yard Mix)
      2. Bitter Tears (Lorimer 12” Mix)
      SIDE TWO
      1. Need You Tonight (Liebrand 12” Mix)
      2. Listen Like Thieves (Extended Remix)
    • INXS – ALL JUICED UP PART 2 – Record 2
      SIDE ONE
      1. Not Enough Time (Ralphi Rosario Mix)
      2. Original Sin (Dance Dub)
      SIDE TWO
      1. Underneath the Colours (Cement Mixer)
      2. Freedom Deep (Extended 12” Mix)
    • INXS – ALL JUICED UP PART 2 – Record 3
      SIDE ONE
      1. Please (You Got That…) (E-Smoove Club Mix)
      2. New Sensation (Nick 12” Mix)
      SIDE TWO
      1. Taste It (Youth 12” Mix)
      2. To Look At You (Extended Mix)
Record 3 (of 9) is pressed on red vinyl

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72 Comments

72 thoughts on “INXS get ‘All Juiced Up’ for series of limited coloured vinyl 12-inch records”

  1. All Juiced Up Part 2 – Vol. 1
    Side A
    1. I’m Only Looking (Morales Bad Yard Mix)
    2. Bitter Tears (Lorimer 12” Mix)
    Side B
    3. Need You Tonight (Liebrand 12” Mix)
    4. Listen Like Thieves (Extended Remix)
     
    All Juiced Up Part 2 – Vol. 2
    Side A
    1. Not Enough Time (Ralphi Rosario Mix)
    2. Original Sin (Dance Dub)
    Side B
    3. Underneath the Colours (Cement Mixer)
    4. Freedom Deep (Extended 12” Mix)
     
    All Juiced Up Part 2 – Vol. 3
    Side A
    1. Please (You Got That…) (E-Smoove Club Mix)
    2. New Sensation (Nick 12” Mix)
    Side B
    1. Taste It (Youth 12” Mix)
    2. To Look At You (Extended Mix)
     
    All Juiced Up Part 2 – Vol. 4
    Side A
    1. Suicide Blonde – Oakenfold Milk Mix
    2. Elegantly Wasted (Shagsonic Remix)
    Side B
    3. The Strangest Party (These Are The Times) – Apollo 440 Mix
    4. Searching – Alex Reece Mix
     
    All Juiced Up Part 2 – Vol. 5
    Side A
    1. Tight – Thick Dick Vocal Mix
    2. Not Enough Time – Silky Soul Dub-stru-mental Mix
    Side B
    3. Devil Inside – 12” Mix
    4. Burn For You – Extended Remix
     
    All Juiced Up Part 2 – Vol. 6
    Side A
    1. Just Keep Walking – Sgt Slick Extended Mix
    2. What You Need – Cold Cut Mix
    Side B
    3. Don’t Lose Your Head – Leadstation Solid Gold Mix
    4. Guns In The Sky – Kookaburra Mix
     
    All Juiced Up Part 2 – Vol. 7
    Side A
    1. I Send a Message (Vocal Remixed Version)
    2. Original Sin (Ian Green Mix)
    Side B
    3. Black & White (Extended Mix)
    4. Girl On Fire (Keeping it Tight mix)
     
    All Juiced Up Part 2 – Vol. 8
    Side A
    1. Need You Tonight (Mendelson Extended Mix)
    2. By My Side (The Movie Mix)
    Side B
    3. Everything (Jaxx Club Vocal Mix)
    4. Viking Juice (The Butcher Mix)
     
    All Juiced Up Part 2 – Vol. 9
    Side A
    1. The Strangest Party (Apollo 440 Mix)
    2. Cut Your Roses Down (Sure Is Pure Mix)
    Side B
    3. Disappear (David Morales 12″ Remix)
    4. The Gift (Robin Hancock Remix)

  3. Would love to know what on Earth is going on with these records? It is now nearing the end of July and still parts 7, 8 & 9 are nowhere to be seen. Universal don’t give any meaningful responses to emails.

  4. Hi Paul – Vol 7-9 aren’t looking like they are going to be released in May now. I can’t seem to find any updates – are you aware of any please?

  5. So discs 4-6 are due out in February according to the blurb last year….however, no sign yet and all I’m getting are emails from The Sound Of Vinyl trying to flog discs 1-3 still. Are they still coming or are we dealing with a Universal marketing misfire here?

  6. I am a big fan of INXS and I have most of their LPs and 12″ers, but this is overpriced. $31 for 4 songs per 12″ is too much. I may have to think seriously before buying because $280 for 36 songs is kinda high. Even if they’re remastered.

  10. Couldn’t agree more with the comments here about price gouging and poor back catalogue handling. Just a few days prior to this sets annoucement, there was the US only RSD Black Friday Shabooh Shoobaah Rarities gold album unveiling. Bafflingly, it hasn’t got the extended version of To Look at You, but very unnecessarily, it does have 4 or the US Festival live tracks from the album from released only last year. Then I see the To Look At You mix turn up on this set. Cynical. Much.

  11. I like what is on offer but these prices are just silly. Stop doing silly and I buy, now I’m going to the grocery store to buy me some food (not that I there won’t find silly prices but one needs to eat).

  12. Does anyone know the full track listing of all 9 12” single.

    tbh I don’t want to commit buying now if some of the mixes used are as bad as Need You Tonight (Liebrand 12” Mix)

  13. As a huge INXS fan AND a lover of dance music, this is exactly what I’ve been waiting for! – You could say i’m just the demographic this release will sell to (I even own a turntable) – apart from one respect, like most SDE readers I actually have more sense than money!
    I’ll wait to the CD release, and if that doesn’t happen I’ll have to settle for burning my own CD from downloads. I bought the re-release of Dekadance, but this pricing is something else!

  14. I have no issue with ‘All Juiced Up Part 2’ however I was bitterly disappointed that the Shabooh Shoobah reissue was relegated to a single vinyl only, excluding the bonus material available to streaming. I had expected a full vinyl and CD box set release, potentially with a DVD featuring clips and/or concert footage (similar to the Duran Duran reissues).

    In my opinion the INXS reissue strategy is badly failing the fans.

    1. There is a Shabooh Shoobah vinyl coming out for Black Friday RSD this year called ‘Rarities’ which has 4 tracks from the US festival as well as 2 extended mixes and some b-sides.

  15. Record companies do it because there’s people who will lap it up. Blame the people who have to buy an album in six different colours from five different shops. If people actually didn’t put their money where their mouth is, and told the companies where to shove it, the problem would be solved. And yet there’ll be people on here who think that paying over £200 for 30 year old songs they already own just because they exist is a great idea. Sheesh.

    This is why I’m sticking to CD. Just say no, kids.

    1. Well said, Tim. Nail hit squarely on the head.
      It’s the old saying, ‘more money than sense’. Record companies know this and that they can get away with whatever price they dream up, as long as collectors keep shelling out over the odds.
      By the way, I was collecting the New Order reissue 12″s, but I’ve decided now at £20 each, for the forthcoming Substance era records, it’s time to pull the plug. That money can be directed toward buying music I don’t own already.

      1. Seconded. I recall reading a comment on here (but can’t remember where) by a user who had bought 30 copies of a Kylie Minogue album. Each to their own an’ all that but sheesh!

      2. I know the feeling. I’ve been picking up the New Order 12″ singles. Last lot were about £13 on amazon. This is quite a big jump. I may have to re-consider and just stick to the box sets. Waiting on Black Friday :)

        1. The previous set of Joy Division / New Order 12 inch singles eventually went down to a tenner. Ill be holding out until the same thing happens with this batch

  16. What are the Universal channels? Paul has liked The Sound Of Vinyl, but I think also RecordStore and Bravado are the same, and then probably INXS have their own online store? I’ve noticed a price difference in the past, especially when it comes to shipping charges applied. I may hold out a bit before ordering. These look too good to pass but bloody hell 28 EUR for a maxi single!!!

  17. this is pretty cool…not necessarily for me, but cool all the same…if it were say tears for fears, duran duran, or annie lennox or alison moyet…i would be all over it…that being said, i do enjoy inxs…and saw that there will be a record store day of shabooh shaboh rarites being released…very cool for lovers of the inxs

  18. Sooo expensive but as a fan I had to buy it.
    Let’s hope that at least the covers are decent quality. For that price though, they should have included a “collectors box” to house the full collection in free with the first 3 records to encourage the purchase of the next six… And maybe a booklet, oh well.

  20. I see a few feather spitting comments about the price of these three bits of plastic but the DM set released this week doesn’t attract similar incredulous remarks despite being twice the price for six bits of plastic. What gives? Six records for £160 is somehow better value than three for £75?

    1. I think we have bemoaned the pricing of DM box sets on previous news articles, as we have with all the other outrageously priced vinyl box sets coming out recently. The thing is, the price eventually drops on Amazon, to something more reasonable. Although what counts for reasonable these days is also being a bit strectched!

    2. Both examples are simply “money for old rope” both are overpriced, no one but hardcore DM fans care about Delta Machine singles, but OCD collectors will buy them to complete the collection, so there is little emotion there, except, perhaps shame; here you have some interesting items locked in an overpriced format offering, that guarantees more of an emotional response because there are some classic songs here.
      This would logically make a good 2xCD set, but the goal here is to milk fans of their cash with overpriced vinyl. Juiced indeed!

    3. I’m a huge DM fan and constantly slate their recent PR campaign here, there and everywhere as have many commentors on here. Memento Mori was their best album in a good decade (if not two) but the release of the album let alone non-physical singles was a travesty. As for the boxsets so glad I don’t like/need vinyl, I’d need a second mortgage!

  21. As a reissue label, I’ve been able to defend some of the price increases on inflation, but it’s definitely surpassed that into gouging. The pricing on this set is jaw-dropping, but not surprising. Let me give you a real-world example of what’s going on. I’m a third-party label and license from the bigger labels, so those license fees are worked into my pricing structure. The labels already own these catalogs so there’s no licensing fees being paid.

    Recently, one of the labels decided they are going to put out their own edition of one of the LP’s I was licensed for barely a year earlier. What’s worse is they asked me to provide them with my full resolution artwork that was created for my release, but they didn’t tell me initially it was going to be used to create a competing product! Their edition (with my LP cover restoration) is coming out soon and it’s priced at $29.99 whereas my licensed product is only $26.99.

    Like this INXS set, and an increasing amount of others, these vinyl reissues are being sold exclusively from their own store, meaning they are getting much more profit than going through distribution channels. While I have had to gradually raise my prices going into next year, I will still be below the $30 threshold. But if I could guarantee more of my vinyl sold in direct website sales as opposed to most moving through distribution channels (and all the additional fees required because of that), I could keep my prices even lower. So, yes, I agree that a lot of this pricing, especially for D2C only, is gouging. Plus, they often use the cost-cutting, low quality of GZ and related manufacturing, so they get their quick and dirty pressings at a lower cost and quality than those seeking out more attention-to-detail smaller manufacturers.

    1. Just a quick thank you from me for for the Divinyls reissues and everything else you have done. I’d order everything from your website if the postage to the UK made it more feasible.

    2. I’m presuming that if you don’t give them the artwork then they won’t give you recordings in the future??
      Are they not just going to pull the same stunt on the next album you licence from them??

    3. Yikes. Can you give them a flat file with your label logo all over it, so they’d have to spend more money changing it than doing it themselves?

    4. Scott,
      It’s very evident that put you alot of effort and passion into what you produce. You also license music that no one would even consider (but deserves to be released ) As someone who has bought everything you have sold (even titles that I wasn’t familiar with!) I thank you!

    5. Being an Australian, loved the fact you picked up the Divinyls and Split Enz. They sound fantastic. Hoping now you can get The Angels (Angel City in the US) catalogue

  22. I’m with everyone here – this pricing situation is ludicrous. Even if the labels were saying “you don’t know the true cost to press up a run of vinyl”, the counter-argument would be to put more than 4 remixes on each piece of vinyl! I’ve spoken before how the industry seems intent on squeezing out every last dollar of the remaining vinyl collectors by continuing to raise prices and offer less music per vinyl at higher and higher prices. And so far, that strategy seems to be working, however, there’s always one incident people will look back on as the catalyst for change (or call it the straw that broke the camel’s back). Maybe these INXS rip-offs will be that incident.

    1. You cant put to many remixes on the vinyl it will compromise the sound and would lose bass by having the grooves closer together This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range amplitude, especially in the bass frequencies important for dance music.  This extra space permits a broader dynamic range or louder recording level as the grooves’ excursions (i.e., the width of the groove waves and distance traveled from side to side by the turntable stylus) can be much greater in amplitude

  23. To add to the price gouging comments, I know this is small beer but Glen Matlock released his current album Consequences Coming back in May. Black vinyl and an orange vinyl (only available to buy at gigs and a couple of record shops who did small gigs in collaboration with him). Both vinyls cost £22 each. Recordstore/Sound of Vinyl have just announced a limited edition blue vinyl edition and it’s £33. A 50% increase in less than 4 months for the same product. At £22 I’m in. At £33 they can get lost.
    The New Order 12 inch single reissue campaign is under way again. The 3 upcoming releases are around £19 each. The previous batch was released back in January at around £16. Price has jumped by a sixth inside 9 months. The record companies are at it. I’m now very careful about what I buy. I’m saving myself a fortune by not buying releases I would normally be all over because of the profiteering. It’s getting to the stage where reissues of very rare 90s/00s albums are retailing for more than the price of rare originals.

    1. With regards to Glen Matlock – I did notice that the blue vinyl is limited to only 300 copies & each is signed, so they will probably use this to justify additional cost.
      However, I’ve also noticed that Signed copies of his new book are absolutely everywhere. Pretty sure unsigned copies are rarer. So, yes, somebody somewhere is attempting to maximise his revenue stream at the moment, and I guess that is what they are being paid to do. It is a business after all and with only 300 blue copies of his vinyl then he wont be buying a yacht anytime soon with the profits

      However, compare with the newly announced Metallica colour vinyl reissues. The first 5 Metallica LPs are all being issued on colour vinyl (the same coloured vinyl that was supposedly a Walmart exclusive in the US recently). The new ones differ only by a different hype sticker. Although described as “limited”, these are being mass produced and of course charged at a premium (£36 for a single LP). Now that’s some big exploitation…

    2. for 1000 standed black vinyl 12″ plan white paper sleeve $2630 so $2.63 per record so the majors pressing 1000s will be cheaper then add printing sleeves so gotta be under $5 per vinyl plus other cost so $10 per vinyl so a big mark up for D2C i bet

  25. I love all previous comments, regarding both content and pricing..!

    For my tastes, from the total I should deduct the versions by Lorimer, Morales and Liebrand (I feel you @stephenc!), who notoriously had no respect for the originals and just put any vocals of any song on a house backing track (I am still crying for the missed opportunity of a great Extended Version for Tina’ s Goldeneye…).

      1. @bertielego!
        … Only the horrible club mixes by Morales, and without even a picture sleeve, just the lazy die – cut black sleeve with sticker to look more er… “club”…
        What a shame

  27. I am puzzled by what is being done with the INXS back catalogue. Much hoopla a few years ago about their collaboration with Giles Martin, but what has come of it? A Dolby Atmos mix of Kick (streaming only), some random vinyl releases related to Shabooh Shoobah (which if packaged together might have made a nice box set), and now this? How about a proper super deluxe of Listen Like Thieves, or Welcome to Wherever You Are, and we go from there?

    2. Kick 30 had a 3CD+Blu-ray with an Atmos mix. It was the first Atmos mix I bought and I was stunned. It pushed me to get more and fill out my Atmos system to a full 7.1+4.

  28. Overpriced and not available to buy from normal retailers says it all really.
    If someone was wise enough to reissue the box set with all the albums,I’m sure many would be tempted especially if it’s cd.
    This product is just greedy who cares about coloured vinyl,makes a mockery of collecting records.

  29. This is truly an obscene release! I’m not talking about the musical content which to all intents and purposes is fairly good. However, the pricing is just beyond belief! There are in essence 9 pieces vinyl at a cost of approximately £225 and given that you can currently purchase the George Harrison ATMP for around the £50 mark the pricing level of this release is beyond funny. We all love our music but I’m in total agreement with Ken99 that there are a cartel of record companies intent on fleecing buyers and intent on raising the profit levels at the expense of the punter. Ultimately it’s all about choice, but lets have a level playing field please. Thanks Paul for the great site.

  30. Pricing is nuts. I get inflation but this is getting beyond ridiculous. The only other factor (aside from record company greed) that might make sense is that they are trying to weed out the flippers/scalpers by putting these out for crazy prices such that they won’t touch them. The only problem with that logic is that the real fans who can’t afford/justify paying these prices miss out. Oh well, easy decision for me.

    1. Now as far as I know, when vinyl was on life support in the 90s, there were less and less manufacturing. Some vinyl production was just dismantled. If you remember in those days you can get a 45 RPM for $1 and a LP for maybe $12 [don’t remember the exact pricing].
      When vinyl came off it’s near coma a few years ago, problem was that there weren’t as many manufacturing sites and they couldn’t handle the load causing delays. And got worse when it broke down, finding the spare parts.
      Unsure if there is any new major manufacturing sites. Some releases are pushed back because the artist wants both vinyl and CD [and BR audio] released at the same time. Big releases get priority. Small runs do not.
      Unsure if quality has been good either. I’ve read of reports of badly manufactured releases. I’ve seen an Amazon review for a release [don’t remember who] and just about all complained about warped LPs. A while back Fish had to postpone releases for at least one album because of manufacturing issues.
      But yes, I think inflation is part of the problem. The other is the label gouging.

  32. I am not convinced pressing vinyl is as expensive as the industry claims. i.e. I fear there is organised collusion going on between all participants in the undustry to ensure that excessive mark- ups on all vinyl releases ensure huge profit margins.My best guess is the profit % margin on selling vinyl is probably as much a 3 times that of the margin on selling cd’s.Why nobody in gov investigates this industry collusion is a mystery! Sorry,but I am genuiely shocked by the very high pricing of all vinyl records.Not a single player in the industry is willing to compete by lowering the price on literally any brand new vinyl product they offer.So it smells like they are cynically working together to keep prices artificially high. This Inxs stuff is just another example of another release of over-priced vinyl,few folk can afford. I notice U2 are trying to sell a one sided 7in for over £13, and the Stones trying to offload one sided 10in’s for ludicrous prices.This is all just insane,and the reason I sadly give all mint vinyl a miss and stick to seeking out bargains in the 2nd hand resale market instead.

  33. I love a 12” but Need You Tonight (Liebrand 12” Mix) is possible the worst crime committed to vinyl. Owning that once is already too much. Can’t see the appeal of this set

  34. So, even given the bundle price, this will be £225 plus postage (£30 give-or-take a couple of quid) for 9 x 12″ records or 36 tracks of music.

    The SDE value-o-meter needs to be dragged out to give this release a damned good thrashing. £7 a track is not great value. Even if I were the hugest of huge INXS fans, which I am not, it would force me to think thrice.

    For immediate comparison you can get the 14CD 10CC box set for the same price as these first three 12″ers.

  35. One day you are watching the fabulous unboxing of the Frankie Valli SDE and the next, one of your favourite bands unleashes a cash cow like this.

    I’m glad I have these already.

  38. I sincerely hope this goes swimmingly. But, the release schedule bears all the hallmarks of the notorious ‘brilliant live adventures’fiasco. And this little black duck will never buy DTC on a promise EVER again. Just put it in the friggen’ shops.

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