Morrissey / Vauxhall And I: 20th Anniversary definitive master

(2) As I was saying, I’ve been going through my Smith’s albums and Morrissey albums the past few days and I wanted to travel back to this post… I have decided that I am not really happy with this remaster of this album. It’s not horrible sound-wise, I think it’s the volume level. Mainly just because it’s much much lower in volume than all of the latest Morrissey and even Smith’s reissues and remasters to have come out over the past decade or so. It ruins my compilations and playlist! Songs from this album I end up sourcing from other CD’s that have louder volume, so they stack up well against the other tracks (as far as volume level goes)… and I am not one to favor loud remastering over lower-volumes, but I just like my mix-CD’s or Mix-Tapes or… playlists to be at an even volume.

Also, I have heard other remasters of a few of these tracks that sound better in my opinion.

I’ve been going through my Smith’s albums and Morrissey albums the past few days and I wanted to travel back to this post… do people even go back and look at these posts once they have come and gone? I find that such a shame Paul, with all the work you put in to them, perhaps there is an easier way to browse all the artists you post about. Have you thought of including a side-bar with a small list going all the way down the left side of the page, that people can click on specific artists to go straight to their posts?

As far as I am aware there is only the search option, but a side-bar might bring more curiosity to fans when they see all the names listed off to the side… just a thought.

Absolutely LOVE this man and album!

Finally received my copy yesterday. Really disappointed that Speedway and Shoplifters were left off of the live disc. Speedway is a V&I track, so leaving that off doesn’t seem to make much sense. I believe that version has been broadcast by the BBC previously (and is currently available on youtube). Even with Shoplifters being cut short due to a stage invasion, as James C mentions above, leaving that on the CD for that very reason seems exactly like something Moz would be in favor of.

I am a Morrissey fan but don’t unconditionally love everything he releases on record or by mouth. But by and large I love his music with The Smiths and solo. He has always been prone to some awful songs (mostly through the Kill Uncle era) but Vauxhall and I is the album that made me a fan, and the recording featured on the bonus CD was my first ever Morrissey gig, so for me this is a must have. Tim, above, is right though, several tracks were released as B sides for The Boy Racer single in 1995 and the Suedehead (Mael mix) 10″ for RSD 2012, never mind that 10 tracks (including Speedway, excluded from the CD) were broadcast on Radio 1 at the time. At least the album itself hasn’t been toyed with, although the additional material from the time is amongst his best and could’ve been a welcome inclusion – I’d Love To, Moonriver, the Boxers EP, Interlude and even the tracks on the Sunny single.

So what you are saying is that Morrissey can be as vile and as unpleasant as he likes about almost everyone, especially women (read his book) but nobody is allowed to express an opinion on his often offensive and idiotic ramblings? I was a HUGE Smiths fan but will not ignore racism, and nor should anybody, Morrissey says writes and sings racist things. And as for blaming Kristeen Young for causing his tour cancellation…. that is surely for his insurance purposes, because for sure he will now find it very difficult to get tour insurance given his history over the last years.
Of course it could also be because he is a misogynist, read his book, the man obviously hates women.
I suggest you go back to truetoyou,net if you are looking for a Morrissey love in. The rest of us live in the real world and can increasingly see this man for what he is.
But you are right on one thing, the album is good.

Personally I never ‘got’ The Smiths (great lyrics, but musically very repetitive & vastly over-rated imo) and I love this album precisely because it so spectacularly UNLIKE The Smiths. I think half the problem with the perception of Morrissey is the number of articles that start from a sneering, unashamedly anti-Morrissey stance, followed by the absolute certainty of a puerile Comment War (see Bob/Dan here). But although it makes for tiresome copy, the fact that Morrissey inspires these little pockets of borderline-unhinged vitriol makes him an even more fascinating and even romantic character imo; the worst thing in the world is mediocrity, after all. And the fact that despite the occasional naysayers, his concerts still sell out all over the world and he comes second only to David Attenborough in the BBC’s “Living Icons” poll (beating Bowie and McCartney, not to mention Alan Bennett and Stephen Fry) demonstrates the kind of popular affection in which he’s held. As for Morrissey’s “politics” – there are plenty of militant vegetarians in the world (Paul and Stella McCartney to name but two) and plenty of people who despise the institution of the British monarchy and aren’t afraid to say so in the strongest possible terms – the Sex Pistols were doing it more than 35 years ago, for heaven’s sake – so what’s the big deal? This is 2014 not 1977. I’m not aware of any other political pronouncements or interventions Morrissey has made so they can’t have been that newsworthy. And in any case, there are far more obnoxious, more self-aggrandising culprits among rock stars-who-fancy-themselves-as-politicians: Bono, anyone? Why do articles about Morrissey’s music always end up reviewing the man and/or the partisan idiots who spend their days bickering about him on the internet – lazy journalism? Enough already! :)

Actually, the concert isn’t that exciting for Morrissey fans, as six of the tracks were previously released on Southpaw Grammar singles and an RSD thing (I think). And of course, the last two tracks of the concert – Speedway and Shoplifters Of The World Unite – are missing :(

Whilst this is a disappointly bare bones package the extra disc is definitely worth a purchase for long time fans. If you’re new to Morrissey then as mentioned above you can just pick up an original issue for pennies instead. As the first completely untouched reissue we have much to be thankful for !
Viva Hate’s reissue was simply crazy, a masterclass on how to wreck the opening salvo of your solo career.

What you really mean is that you know that your argument is very weak so you are using your get out card. Easy, but cheap.

Well then you thought wrong as he claimed to be celibate long after the smiths, I know.

Bob – I’m happy to let you have the last word. I know you So_Lowists love that because you often confuse having the last word with being right. :D

I wouldn’t believe a single thing that came out of morrissey’s mouth. His whole career is based on lies. Eg claiming to be celibate, as we now know it was lies. Numerous times claiming to never ever form friendships, yet in his wretched book he goes on about lifelong friends. Even now it goes on, claiming not to be homosexual but humansexual. Pleaseeee. He must really think his fans are stupid to believe that this late on in the game.
Morrissey is coming out of his latest drama even worse than his other dramas. He really is a despicable misogynistic coward.

And there is a place for people like you truetoyou.net.

Hmmm, this review is greatly lacking in one thing: not a single song is named from either disc. With no disrespect intended–it’s nice that Mr. Puricelli has found a new respect for the man–but if these songs are so memorable to him, couldn’t he take a moment to mention at least one of them by name? I’ve never read a credible review that failed to take notice of the actual songs that make up its whole.

The Southpaw Grammar and Maladjusted reissues were nice, but I haven’t been enticed to buy anything after those.

The Viva Hate substitute track fiasco put me off anymore reissues and anyway Vauxhall and I has always sounded fine to me.

Remastering is often hit and miss and it’s the extra material that persuades to buy reissues (which I do a lot). With Morrissey you are just buying the same thing over again. The deluxe version of the new album is pricey enough so I’ll save my pennies for that.

the Morrissey reissues has the cheapest packaging in the market, what a shame, and this comes with a bonus disc while others neither

Nice review, which reiterates the point I always make, that “V & I” tends to be regarded as Morrissey’s best album because it’s his one that comes closest to The Smiths, in terms of sound, consistency, and quality of songwriting. I’m more of a “Viva Hate”/”Bona Drag” fan myself (and “You Are The Quarry” remains a late highlight), but “V & I” would always be my recommendation to anyone considering dipping their toes into Lake Mozzer…

As always though, I’m bewildered (and disappointed) by the apparent lack of effort and care that goes into Moz’s re-releases, which without fail seem to fall into the “Will this do?” file.

But that’s the thing with Morrissey, he comes as a package, and you take the whole thing, infuriating as it is, or nothing at all…

I didn’t hear much of a difference but if someone wants to check out the album for the first time, save your bread as the original cd is a common in the cheapo bin. Nearly all of his solo albums can be found for under $4 at any used cd/vinyl record store in the states. Or just buy it off of Amazon for a $1-2 and don’t waste money on this poorly executed release.

Mind made up, then – stick with what I’ve got and give this a miss!

Not just his finest solo effort, but the best thing he has ever done.

Bought last week and the remaster definitely adds clearer and slightly louder vocal track over the 1994 original. But what a let down – Compare this to any decent reissue and the paucity of this release is glaringly obvious. Morrissey may feel that less is more but to me it seems a sense of couldn’t be bothered which is a shame. The live cd is worth it though

This is the barest of “definitive” editions I have ever seen. It only makes sense to buy this release for the live disc, which is good but by no means essential. I read a review on Amazon that claimed the Vauxhall and I disc was not remastered. Indeed, it’s hard to tell the difference from the 1994 CD. It sounds as if, in the remastered version, the vocals are slightly louder and more prominent but that’s it. I was surprised how quiet the CD was compared to the loudness characteristic of recent releases–usually a good thing, but here perhaps evidence of the lack of effort. The sound of this album is distinctive–others have criticized it for being “muffled,” whereas I would call it muted and dreamy–and thankfully that isn’t lost. The press release claimed Bill Inglot was remastering Vauxhall, which makes sense because it’s a Rhino release in the States, but there is NO information on the sleeve or disc stating who mastered it and where! While on the one hand I’m glad there were no modifications to the tracklist and running order, this goes to the other extreme of putting together a package that is an impoverished version of the original. I wish I would have passed on this. You can never have it all with Morrissey, but we know that already.

Great review Rob and I loved this album, but unfortunately I will not be buying this as I can no longer separate the vile man from his music. The final straw of many final straws came this week with Morrissey blaming his support act Kristeen Young for causing his tour cancellation.
How low can you go? Very low if you are Morrissey it seems.

ps also the packaging looks a little cheap.