Bananarama reissue producer talks to SuperDeluxeEdition


Next week sees the long anticipated deluxe reissues of Bananarama‘s first six albums. The British girl band has most of their success in the 1980s, and four out of the six reissues were released in that decade. Each album is being released as a 2CD+DVD set and full track listings and details can be found here.

Last month we spoke with Tom Parker who produced this reissue series from Edsel Records, to find out more about the challenges of putting these releases together.

SuperDeluxeEdition: How did the project come about?

Tom Parker: My background with reissues if you like, is that I was a fan of, and grew up with, PWL and wider pop music generally. The first thing I ever did was I got in touch with PWL in the mid-nineties. I’ve always been interested in the visual side of things and I remember sending off ideas for sleeve designs. I got in touch with Pete [Waterman] and interviewed him for a long lost Kylie fanzine, and we’ve stayed in touch ever since.

SDE: So are you a graphic designer?

TP: No, I’m a music fan. At that point I was a GCSE or A-Level art student. While I was at University I put together two Kylie compilations for release in Australia, for which I had access to the PWL archive. I work for Pete, so I would say this, but Pete’s a music lover and he saw how much I cared about the catalogue, and over time there’s a degree of trust. I wasn’t like I walked into a job. I’ve only been working full time on catalogue for three and a bit years and I do work on other things at PWL.

SDE: So your role at PWL, is it primarily to exploit their catalogue?

TP: That’s a significant part of it. With something like Bananarama, the public perceives a lot of stuff as PWL. Obviously, Bananarama had a very successful career prior to coming to PWL, but when it comes to it, Rick Astley’s stuff is controlled by Sony, Mel & Kim, by EMI, so there are all these interested parties, but in terms of public perceptions PWL is a strong brand.

SDE: You talk about interested parties, obviously you have the major label, in this case Universal…

TP: Actually, it’s Warner. They were signed originally to Demon, funnily enough, so there’s some poet quality to it, that they are back on Edsel, and actually the booklet for Deep Sea Skiving has got an image of  a tape we tracked down which is the very very first Bananarama master tape, which is a Demon tape, and it doesn’t even say Bananarama on it, it says ‘Bunnies’ which is what they were presumably called for a few minutes, in Spring 1981. They were signed to Decca and then moved on to the London imprint. I think the first release on London was actually Shy Boy.  It was always distributed by Universal, or as was Polygram, for a long, long time. And then the London repertoire I believe – and I can’t speak with complete authority on this – went over to Warner.

SDE: This project has a crossover because it’s part PWL and part non-PWL.

TP: I remember the greatest hits album – the first half of it is all PWL, and it always struck me as interesting that there was this divide. With Bananarama, even though the albums had been reissued before, as a fan I knew there were all these mixes of everything, I knew a little bit about unreleased stuff, and I researched it and found out about what was in the archive, and on that basis, when Val [Jennings, Edsel Label Manager] and I sat down to talk about what else could we do, Bananarama was very high on the agenda. This was two years ago – early 2011. At that point, they were just going to be double CDs, the DVDs came along later. Warner did a compilation last year with most of the tracks on DVD, so we thought ‘oh, what else can we add?’. Obviously Demon are part of BBC Worldwide, and although it doesn’t mean you have complete carte blanche, in terms of BBC TV stuff, it was more feasible. So picking the brains of other Bananarama fans, I tried to work out what would be the best TV performances. I think they did about 20 TV performances of I Want You Back, but you can’t include all of them. We tried to go for one per single, but unfortunately some of them fell by the wayside and some of the there weren’t BBC performance of, hence no Cheers Then, or Do Not Disturb or Hot Line to Heaven.

SDE: So that was the limiting factor then, all the extra stuff that’s non-promo video, it had to be a BBC performance?

TP: It’s not that… if at this point I say that there’s obviously more stuff that’s in the Bananarama catalogue than is in these reissues, then if these do well there is other things we can look at. Would I like to have the BPI awards performance of Love In The First Degree on DVD? Yes, very much. But I thought “Bananarama at the BBC” was quite a nice way of framing it.

SDE: Were you tempted to put any bonus audio on the DVDs? Obviously there is the possibility of putting a data folder on it and putting some MP3s in there.

TP: I’ve thought about that before, but all of the discs apart from one of them are over 75 minutes and there comes a point where you think, where do you draw the line? You know, do you want backing tracks of all the albums? I don’t want to do anything that’s slavish for the sake of it, or you know because you’ve got so many gigabytes free on the DVD. It’s a bit like presenting at an exhibition. You can’t put every picture on the wall.

SDE: Where did all the unreleased stuff come from and were there any challenges in terms of licensing it and getting on the new reissues?

TP: I had been aware of what exists for a long time, especially with the PWL stuff. For example, Bananarama diehard fans will tell you there was a promo cassette of True Confessions before Venus and More Than Physical were put on the album, which included Too Much Of A Good Thing, a Jolley and Swain track. There’s an element of ‘auditioning’, if you like – you can’t use necessarily, multiple versions of a track that no one has ever heard.

SDE: But how do you know, for instance, that one of the reasons that something was never released was because the band hated their vocals on it, or they didn’t like the track – and you’re now putting it on a reissue…

TP: Okay, that’s a very good question. It has a historical relevance and legitimacy. My rule, with this kind of thing, is that, [it has to be] a master quality recording, in other words it was submitted to the label. I could throw your question back at you and say there are tracks on the albums that they’ve publicly described as hating…

SDE: Yes, but the key difference there is that they agreed to it at the time

TP: I would never actively seek to upset anybody – and other than Reason For Living, which is a draft version of I Want You Back – you’re only talking about four songs. Two Jolley and Swain songs on True Confessions and then a Stock-Aitken-Waterman track on Pop Life, and a David Z track Some Boys on Pop Life as well. Ultimately it’s my subjective judgement, at the end of the day, as a fan. Not everybody is going to like every song. There were also some PWL demos which I’m sure some of your readers will ask about, specifically, Nothing Lasts For Ever and Don’t Throw It All Away, which were done at the same time as I Don’t Care and Heartless, at the early sessions for Pop Life. Those two really are demos. Not mixed, not produced. This may sound disingenuous on my part, but those tracks are out there [i.e. leaked bootlegs] and I think it’s a shame, because they are absolutely works in progress, and they were shelved very soon after that rough draft was done. I don’t think they can be considered as finished tracks in any way. Now, I’m not saying they should never be released, but in terms of presenting an accessible overview of an album project, which includes unheard stuff, I don’t honestly feel they should be at the front of the queue for inclusion.

SDE: Was the band involved at all with these reissues?

TP: I’ve reached out. I know they haven’t always been involved in catalogue stuff before. As far as I’m aware, they are all aware of it. I did speak to Peter Loraine at Fascination Records who was involved in their last album and also has been a fan-in-chief for a long time. And although I haven’t got any direct input from them for sleeve notes, Peter very kindly let me use chunks of stuff that he compiled for a 30th anniversary fanzine last year. So in fact Deep Sea Skiving has got a little track-by-track commentary. And likewise, I’ve had a few new quotes from Siobhan and even Jacqui, but also some of the producers, Pete [Waterman], Tony Swain and Matt Aitken. So I tried to round it out, personally I haven’t heard anything from them. All I can say is that they’ve been compiled with a lot of love and respect and I hope they’re happy with how they’ve ended up.

SDE: These unreleased tracks, what format did they tend to be on? Are we talking analogue reel tapes, or DATs?

TP: It depends on the era. DATs only came in from the tail of 1987 onwards. Throughout the ’80s and early ’90s, the main master tape format was typically a half-inch reel, an analogue reel. For the majority of this stuff I’ve gone back, wherever possible, to the original un-EQ’d half inch reel. I always try and go for the best available source.

SDE: You’ve already come out and said there are no vinyl rips on these reissues…

TP: Absolutely none! We didn’t even have to go to a commercial CD for anything.

SDE: Let’s talk about remastering. You’ve gone back to original sources, which is great, but there seems to be a lot of focus these days, even from mainstream music fans, about how good or bad the mastering is on a newly released CD.

TP: If you buy something on CD, there are well mastered CDs and there are badly mastered CDs and some of that goes back to the eighties. There are some masters from that era that were rubbish then, and are rubbish now, so you know… everything involves a degree of compression. Unless you start saying ‘I want a copy of the multi-track’ – which is never going to happen – what you’re getting is 24 or 48 tracks compressed into two. In terms of all that, and I’ve remastered Rosie Vela and Wendy and Lisa, as well as PWL stuff, and for every one person who says ‘it’s too loud’ you’re going to get someone saying ‘there’s no improvement in sound quality’, and if the original pressing is so great, and that person is in a position where they can say that (in other words they must have a copy of the original CD), why do they need a remaster? PWL in particular, and I would argue Bananarama generally, was intended as very mainstream pop and a lot of people will be putting those records on because they want to dance round the living room, not because they want to put it on their Bang & Olufsen system and dissect it…

SDE: So what are you saying? That these will be quite loud, but that you’ve done them with care?

TP: I don’t want them to sound watered down. Loudness for the sake of it is something I have no time for. On the other hand, I’m self-taught, I’ve got two ears, like most people, [laughs] and my sense of hearing is quite acute. What I will say is that always get hold of a copy of the original album – not the 2007 reissues in the case of Bananarama – but an original pressing, and listen to it carefully and do a series of assessments on it, as waveforms. Because I’m aware that if you’re used to, for instance, Do Not Disturb following on from Venus and sounding, pretty much, just as loud as Venus, it’s going to sound strange to people if it’s suddenly quieter. Sometimes, I come across things on the original masters of albums that I think are jarring. Or a track that sounds excessively bright. So if you like, I’m making a different judgement at that point from the original mastering engineer. So I might rake things down a bit, but I’ll always have a point of reference. But with the best will in the world, and this may sound like I’m some kind of philistine, but people don’t want to be keep turning their iPod up.

SDE: The most asked question from fans is what happened to Love, Truth And Honesty from the Greatest Hits album? There was a little hint on the sticker on the banana on the Edsel promotional image, of more to come. What are you able to say about that?

TP: All I would say is that I have fond memories of the Jacquie-era and a lot of PWL fans seem to have a soft spot for Love, Truth And Honesty. What I would like to do is to be able to represent the entire Bananarama catalogue to a similar standard. If people want this to happen, all I would say is please buy these Bananarama albums and enjoy them, and watch this space.

SDE: So you’re not telling us very much then…

TP: [Laughs] well, what do you want to know?

SDE: What we want to know is, have you got something already in the pipeline, that is going to have those mixes of Love, Truth And Honesty that will come out at some point on a CD format ?

TP: [Evasively] Wouldn’t that be nice? You can look at the way Edsel have handled other artists work… yes there is other Bananarama stuff  – the “Hellfire Mix” of Venus, the “Banana Mix” of Do Not Disturb, the “Miami Mix” of I Heard A Rumour, blah blah blah – if these reissues get a good response commercially, in terms of the feedback overall, then I’d hope we can do more. The only thing I would say is that it surprises me sometimes when people talk about stuff like it’s the Holy Grail, and then as soon as it’s been put out on CD, you never hear it mentioned again!

SDE: You must be pleased with the initial feedback on these reissues. Looking at the Facebook comments when the track listings were revealed, it was virtually all positive.

TP: That is nice. Especially because these had been reissued before, and I’m not going to criticise, but there were obviously people who wanted Bananarama to be given ‘the treatment’ and this is really a second round of reissues, so I thought I’m going to really pull out the stops. So getting clearance on the unreleased stuff, having the DVD to work with [has been great].

Tom Parker was talking to Paul Sinclair for SDE. All six Bananarama reissues are out on Monday 28 October 2013.

Deep Sea Skiving 2CD+DVD
• UK Pre-order: Deep Sea Skiving (Bonus DVD)

Bananarama 2CD+DVD
• UK Pre-order: Bananarama (Bonus DVD)

True Confessions 2CD+DVD
• UK Pre-order: True Confessions (Bonus DVD)

Wow! 2CD+DVD
• UK Pre-order: Wow! (Bonus DVD)

Pop Life 2CD+DVD
• UK Pre-order: Pop Life (Bonus DVD)

Please Yourself 2CD+DVD
• UK Pre-order: Please Yourself (Bonus DVD)

SuperDeluxeEdition.com helps fans around the world discover physical music and discuss releases. To keep the site free, SDE participates in various affiliate programs, including Amazon and earns from qualifying purchases.


Notify of
Oldest Most Voted
Inline Feedbacks
View all comments

Big thanks to you, Tom Parker! You have done a great job so far for us fans by collecting all that fabulous stuff. Half an hour ago I learned about the Megarama – issue. I didn’t hesitate and promptly ordered one, can’t wait for it! Also I must say that I’m so glad of hearing rumours on moopy.org about more to come. I’m that excited about it, one could not believe! Understand how much I’m in love with the trio since I heard “Cheers then” on the radio back in 1982. My first time – I will never forget that moment.

One more thing to say is that I’m happy Sarah and Keren aren’t bothered any longer as it seems, because Megarama’s edition was “Put together with the co-operation of Sarah and Keren”. I’m glad!

Also to you, beloved Keren, Sara and Siobhan: Thank you for tracks as “Too much of a Good Thing”, “Vicious Circle” or “He’s got Tact”, just to name some examples.
THANK YOU for your music that is keeping us fans young at heart forever!!! And please understand if there are some of us out there that can’t get enough of more to come…

LOVE to you and to all that who care, Maedis.


^ Clearly you can’t please all the people all the time. Only 99%

[…] Edsel are following up their Bananrama reissues of 2013 with Megarama a three-CD casebound book set, featuring 36 remixes. None of these remixes feature on the individual reissues and in fact fourteen of them are previously unreleased. This package is compiled and annotated by Tom Parker who did a great job on the albums proper (interview with him here). […]

Michael Khalsa

I thought these bananarama compliations were not done very well. Omissions like ‘It ain’t what you do’ on the first album, a trick of the night & more than physical single mixes on ‘true confessions’ . No ‘love truth & honesty’ or ‘help’ as well as no single mixes of I want you back or nathan jones on Wow. Instead we get lots of dub mixes.

The notes in at least one of the booklets is wrong. He mentions they used to do Venus in live sets before it was recorded. The did not play live until after Siobian left.

Appreciate having good quality editions of the albums and the 12″ versions but I would not purchase anything else with the guys name attached. Can understand why Bananarama were pissed. They could have been so much better. The booklets, the tracklistings even the dvd’s.


Argh! I wish I knew about this earlier!


Very interesting. Still no mention of Changes though. “More to come…”?

DJ MichaelAngelo

What an awesome interview! This guy Tom Parker absolutely knows his stuff, he is literally like the “go to” guy it seems, for putting together a top-notch reissue album, bar none. I remember reading his interview with Pete Waterman from the IKN (a Kylie fanzine back in the 90’s I subscribed to) and it was hilarious. I can’t say enough good things about the care & detailed work he puts into these releases – all the Kylie Minogue versions that iTunes put out a few years ago also come to mind. I must’ve spent $100 or more (and on lossy files, at that!) on buying up Instrumentals, TV Tracks, Alternate Versions of all her SAW catalog. Fun fun stuff!

[…] Read our fascinating interview with Tom Parker, the man behind these reissues. For full track listings and further details visit this post. The Bananarama deluxe editions are out now. […]


Thanks for the interview Paul! Thanks for your dedication & care for the reissues Tom!!! I can’t wait for my “WOW!” set!!!


Thank you for this interview (inside story)!

“TP: I’ve thought about that before, but all of the discs apart from one of them are over 75 minutes and there comes a point where you think, where do you draw the line? You know, do you want backing tracks of all the albums? …”

Well, I hope everything will be available op itunes/7digital/others like many other PWL/SAW stuff. So we fans can decide what to get ourselves.

“SDE: What we want to know is, have you got something already in the pipeline, that is going to have those mixes of Love, Truth And Honesty that will come out at some point on a CD format ?

TP: [Evasively] Wouldn’t that be nice? You can look at the way Edsel have handled other artists work… yes there is other Bananarama stuff – the “Hellfire Mix” of Venus, the “Banana Mix” of Do Not Disturb, the “Miami Mix” of I Heard A Rumour, blah blah blah – if these reissues get a good response commercially, …”

I was going to buy the first 4 initially. But pre-ordered all 6 of them. I do hope a special edition of 2 or 3 discs will be released like Paul Young’s or Five Star’s Remixes Compilation with the rest/omissions.


Best reissues in a very long time! The sound, content and packaging are all top drawer; the unreleased tracks are fantastic and the unreleased mixes are a joy! Will take me months to get through these, but loving every minute. A big thank you to all involved. Viva Bananarama!

[…] our interview with reissue producer Tom Parker demonstrated, much thought and care seem to have gone into these […]


The comments made by “Indigo Blue” are harsh and a bit upsetting to be honest.
I have put and continue to put a lot of work into the Bananarama facebook page and yes I do get input from official sources.

I would like to thank the people in this thread who have defended me.



Thanks for the interview Paul :) I think I’m in the same boat as Scott when it comes to the “Mastered For Ipods” decision, I would rather crank up the volume myself than let someone else do it for me

Colm Murphy

Based on what I’ve heard of his work and some of his comments, I’m going to call him Tom “Cloth Ears” Parker.


The young lady who does the Bananarama Facebook page has always been rather nice when I’ve communicated online with her, I have to say. As for Tom Parker being “the enemy”? What’s that all about, please? I take exception to that comment as he’s responsible for many a fine product and I value his work and his opinion. Please try and be respectful – these guys are very much holding up group’s public presence in these twilight years! Credit where it’s due. If you don’t like or want the new CDs, then… don’t buy, maybe? You have to agree we’re getting a lot of new material, they’re not just cobbled together cheap compilations, the like of which are released year after year and no one passes comment on whatsoever. Can’t wait to hear my copies…


Indigo Blue… Seems to me like you’re the one that’s unhappy. Harsh and untrue comment about the Facebook moderator.

Indigo Blue

Oh look, the Banana bitches are out in force…never happy…The Facebook page run by a ‘fan’ haha Psycho fan more like as is Siobhan’s…none, NONE of them will be happy.


Peter Loraine works for Fascination Records as opposed to Assassination Records…


And this is just a lame justification that is very incorrect:

“Unless you start saying ‘I want a copy of the multi-track’ – which is never going to happen – what you’re getting is 24 or 48 tracks compressed into two.”

That’s not compression, that’s layering the tracks over one another to make the song. This Tom Parker sounds like the enemy, but I will reserve final judgement until I have the 1 set I plan to purchase in my hands.


The following comment makes me shutter:

“But with the best will in the world, and this may sound like I’m some kind of philistine, but people don’t want to be keep turning their iPod up.”

So in other words, he’s catered to the iPod generation and the sound will likely be compressed to death. What else would I expect?


Great interview – really looking forward to getting these this coming week, and definitely hope there’s more to come. Bananarama – still amazing 31 years on!


I just checked out the Bananarama official website.
There is this message posted on 13th October….

Demon Records/Edsel will reissue all of our first 6 albums at the end of October. We’re disappointed that we weren’t involved with the release of the albums and that demos we considered not good enough at the time are now included. We had no knowledge that it was coming out and have not been consulted.

Also we never named ourselves Bunnies and were never called Bunnies !


Yep, thanks Tom, we know the effort you have put in over the years and it is well appreciated!


The Nana Facebook page is very lovingly done by a fan but not ‘official’…and as far as I know, they are often given exclusive info from the official source.

The Nana twitter account @VivaBananarama is official. However Sara usually posts on her own account @SaraBananarama

There is another successful twitter account @LoveBananarama , run by a fan, it’s very up-to-date and has lots of old fun stuff tweeted. Although it’s not official, Sara, Keren, the official account, Peter Loraine, Bruno Tonioli etc… all follow it, so clearly they are doing something right!

Roelant van Zevenbergen

Why are Nana’s fan’s over the moon with these expanded re-issues and the girls themselves are complaining. Has it really to do with not being involved in the process and the quality of stuff put on the re-issues, or is it in fact about where the money is going?
I thank Bananarama for making my teenage years joyfull with their first four albums and I think Tom Parker did and excellent job in compiling and Edsel in packaging these re-issues. I’ve ordered them without hesitation!


These re-issues have been known about for a fair few months. Did Sarah and Keren really not know about them until October, especially if Peter Loraine was involved?

Indigo Blue

Exceptional deluxe editions, the fans have been made extremely happy, and Bananarama have been done proud, finally.
Such a vast array of mixes, unreleased songs and video clips…Thankyou SO much Tom Parker and all involved with these :-)

Looking forward to any future mix CDs you have planned for the mighty Bananarama….I hope the ‘Movin On’ Deep On Mix & Groove On Mixes get included? ;-)

Happy Days!


Bananarama posted this on facebook October 3rd.

“Demon Records/Edsel will reissue all of our first 6 albums at the end of October. We’re disappointed that we weren’t involved with the release of the albums and that demos we considered not good enough at the time are now included. We had no knowledge that it was coming out and have not been consulted.

Also we never named ourselves Bunnies and were never called Bunnies !”

So there ya have it! From the ladies directly!


It’s a shame Keren & Sara took such a negative approach to these releases already. Artists rarely get consulted regarding reissues of their albums, because they don’t own the recordings. I find it odd that Siobhan & Jacquie were aware of it, but Keren & Sara wasn’t. Perhaps they should look at their management?


I’m of the opinion they were contacted and never bothered to get involved. There’s little chance Peter Lorraine knew all about them to the point of contributing material and they themselves did not. it’s not like Edsel or Tom refused to let them get involved or anything… and from past experience, they one’s who know the last about the artists own history and back catalogue is the artist themselves. Also, Bananarama don’t even manage their own Facebook page or Twitter account, so… ?


http://en.wikipedia.org/wiki/London_Records “Universal Music Group (the owner of American Decca) acquired PolyGram in 1998; however, by this time, London Records had become a semi-independent label within the PolyGram group operated by Roger Ames. When Ames moved to the Warner Music Group, he took the label with him, and so almost all of London’s recent back catalogue was acquired by Warner”

Grumpy Gay aka JPD

For me as a big fan of the Nana’s these reissues are a dream come true. These are some of the best reissues I have seen in terms of getting the vast majority of mixes, b-sides, unreleased tracks and 7″ versions on one set. Hopefully, besides the massive and big fans purchasing these CDs other Nana’s fans will embrace them too so further CDs containing the missing remixes/tracks can be released. Very exciting times. Universal have done a stellar job with Nik Kershaw’s first two albums. It would be great see the same for his albums Radio Musicola and The Works. I’d die for a TFF The Hurting style reissue of Thompson Twins Into The Gap.


Good questions, good answers…
Glad to know that there may be next (remixes?) album in the pipeline.
Tom Parker, you put so much effort into these albums, awesome work!
Thank you for making our dream come true.


Albums that really need a reissue sandra certu first 5 albums .Fleetwood msc tango in the night. Princes eighties albums. Whams 2 eighties .albums. Alphaville eighties albums.sheart bad animals .sparks no1 song in heaven. These are some of fav albums of eighties be great to have them worked on great work super deluxe

Stewart Allan

Sparks – ‘No.1 Song In Heaven’ is one of the 10 recent reissues to come from Repetoire Records – along with the reissues they have (finally) managed to secure for UK release from Icehouse.